BETC recommends: Infinite Mix

 

Looking for distraction from the US election results this weekend? We recommend visiting Infinite Mix: Get lost through a series of incredible audio-visual installations on the cutting edge of video and contemporary art.

Taking place in the iconic brutalist building The Store, Vinyl Factory and the Hayward gallery present a selection of 10 contemporary artworks featuring hologram-like installations, multi-screen music videos, cinema-style 3D projections and a bullet-riddled tour of Kendrick Lamar’s home town. Conceptually and emotionally immersive, all genres are blurred, and it’s about time they were. 

“What you see is as important as what you hear”

Devoted to video and music, Infinite Mix represents an inventive approach to layering images and sounds. Most of the artists involved have themselves composed, produced or remixed the soundtracks that relate to the visual elements of their work.

From opera to funk, post-punk, dub, dancehall and hip-hop, Infinite Mix is an experimental trip into diverse weird yet wonderful universes, both thought-provoking and deeply entertaining.

The first room opens the show on Stan Douglas’ Luanda-Kinshasa, a work that finds a 1970s fictional jazz-funk band in the midst of a recording session. Set in a replica of the legendary Columbia 30th Street Studio, the six hours long experience brings up this infinite perspective on which the entire show is based.

 

Down in the basement, Cyprien Gaillard’s complex and visually-lush film Nightlife, is projected in 3D. The dancing plant-life and trees in his film lurch out at you, waving around to the dub-reggae rhythm of the 1970’s Blackman’s World chorus.

The weirdest piece is without doubt the brilliant and surreal pop-tastic Jeremy Deller and Cecilia Bengolea’s film following the Japanese dancer Bom Bom, who specialises in an impressive mix of gymnastics and twerking. With dream sequences featuring deliberately cheap effects, this is an unforgettable experience.

If it is difficult to say, the most compelling work is probably the very ambitious two-screen video m.A.A.d. by Los Angeles-based artist and filmmaker Kahlil Joseph. Mixing beautifully shot, documentary style filmmaking, the artist immerses the viewer into the often-chronicled violent streets of Compton in LA, with surreal scenes moving on Kendrick Lamar’s 2012 good kid, m.A.A.d city soundtrack.

 

Dystopia, raw realities or just artistic fantasies: all the installations challenge the boundaries between the real and the staged, the sublime and the everyday, the colours and the sounds.

A deep physical, emotional and cerebral viewer experience - not far from the office - that you cannot miss!

Infinite mix also features work by Martin Creed, Dominique Gonzalez-Foerster, Cameron Jamie, Elizabeth Price and Ugo Rondinone that rethink conventions of documentary film.

Lena Novello